— Book Report

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¹ With Special Offers: ads, instead of wallpapers, are displayed when the Kindle is powered off. Small horizontal ads are also displayed on the home screen.

I got a Kindle 4 from Sarie for Christmas, and people have been asking about it, so I figured I should write about it now. My model’s a Kindle 4 with Special Offers¹ which is the most basic. Though I don’t have any experience with other models of the Kindle, I do think that you get enough bang for your buck for this one, at $79. She got it from Amazon.com, but I know you can buy from online resellers and other retailers.

Since December, I’ve read and started on several books, some of which I have in print:

1. A Series of Unfortunate Events: The Vile Village, Lemony Snicket
2. The Hobbit, J.R.R. Tolkien
3. Story of a Girl, Sara Zarr
4. The Sense of an Ending, Julian Barnes
5. Real Live Boyfriends, E. Lockhart
6. Still Life With Woodpecker, Tom Robbins
7. The Name of the Star, Maureen Johnson
8. Dramarama, E. Lockhart
9. Ender’s Shadow, Orson Scott Card
10. The Knife of Never Letting Go, Patrick Ness
11. Pulphead, John Jeremiah Sullivan
12. The Art of Fielding, Chad Harbach

² The e-ink display is way better for reading than an LCD screen. Because it’s not harshly backlit, you rarely get eyestrain. The type’s aliased, too, so it mimics the way text appears on actual paper.

I like reading real books and just bringing my Kindle when I’m on the go. It’s easy to read and it’s light. Aside from the wonderful (!) e-ink display², it’s also less distracting to read than if I had a tablet like the iPad, because all I can ever really do on my Kindle is read. Because of the matte screen, the annoying screen glare occurs very rarely. The design is really sleek, too. You can read up more on the specs here.

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Size This photo shows the size of the Kindle, next to my hand, which is really, really small. It’s a great size for portable reading.

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Power source The only thing it comes with is a non-frills sheet of cardboard with instructions (it’s very straightforward) and a charger that connects with a USB port of a computer.

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Home Screen The home screen lists all of your books, but you can put titles in multiple collections for a more organized library. It’s a little tedious if you’re going to load it with tons of books all at once, though, so I suggest that you put books in collections as soon as you possibly can.

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Bottom Navigation This is the 5-way controller. Up-down-left-right and enter in the center. From L-R: back, keyboard, 5-way controller, menu, home. This is how you get around. It’s hard to type notes (although, you can) because you have to maneuver through a non-QWERTY keyboard.

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Side Navigation I think it’s a nice way how you can turn pages with these buttons.

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Text, screen specs “My Clippings” is where your highlights are stored, and each highlight is shown with metadata. You can also see a bar on top to show the title of the book and the battery life, although this bar disappears when you’re reading.

Writing this review, I realized how much other photos I neglected to take photos of. I should say the following, though:

  • I don’t have the 3G model, but the browser is also not that user-friendly.
  • It displays black-and-white images, so I imagine you can read manga or comics, if you it fits the 2GB hard drive.
  • The battery life is great. I don’t need to keep charging it. I think I can maybe go through two or so books before I have to plug it in.
  • The ads are unobtrusive when you are reading, so while I had a fixation of wanting to hack it so I can change the screen to wallpapers, I’ve learned how to live with it.
  • There is a progress bar at the bottom of the screen, which shows the percentage that you’ve read of the book.
  • It’s very easy to download from the Kindle store. Great selection, great download speed. Other great options are: the Kindle Owner’s Lending Library and borrowing from U.S. public libraries.
  • You can also load your existing ebooks, but make sure to convert them to the Kindle format, so that the text is nice and uniform, and will fit the screen. It can read PDFs, but you have to zoom and magnify if the document’s dimensions are bigger than the screen size.

    I use Calibre as my ebook management.

  • It’s hard to take notes on the Kindle 4, but that’s what my notebooks are for.

I don’t really have no opinion on other Kindle models, because I haven’t even ever touched or seen them for myself, but I’m really, really happy with mine. It does what it’s supposed to do as an e-reader and for some reason, I think it helped me read more, too, especially on the commute.

Here’s a list of the other Kindles, and their features.

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maureen

“The Name of the Star” is the first book from Maureen Johnson’s series-in-progress, Shades of London. I read it because I love Maureen Johnson (as a person), but I’ve yet to love her work. I often like them enough, but I’ve never encountered any that I absolutely, completely adored. I have some of her books loaded on my Kindle, but this piqued my interest because it’s a modern re-telling (sort of) of the story of Jack the Ripper.

It’s a pretty good mystery, but I don’t know why I didn’t feel as scared as I feel I ought to have. I picked it up because I’d been reading people who couldn’t fall asleep because of this book. And since I’m apparently a masochist, I began reading it but I still slept soundly. Anyway, that’s not the point.

“The Name of the Star” follows Rory Devaux’ dip into the boarding school system, after her parents had been relocated for work. While figuring out many Britishisms (I’m probably going to get a lot of them wrong in this review), she stumbles upon a mystery, which makes her new life there all the more exciting and scary. A copycat has been leaving a string of murders that imitate those made by the legendary Jack the Ripper—copied down to the logistics, specifics, and the brutal methods. Rory, caught in what has come to be called Rippermania, tries to stay out of trouble—only to find it following her.

While the main premise of the book is exciting in itself—Who is doing all of this? Why hasn’t the copycat been caught, in this age of surveillance and technology?—one other great thing about the book is Rory coming to terms with her own fear and, in her mind, lack of courage. A peculiar character, Jo, reiterates a snippet from a speech given by Winston Churchill, that somewhat empowers Rory, despite the fear taking hold: ‘Never give in, never give in, never, never, never, never—in nothing, great or small, large or petty.’

It’s easy to give in to fear, especially if there is a string of murders surrounding you and your friends, but again Jo becomes sort of a pillar of strength and wisdom, gently advising Rory: “Fear can’t hurt you. When it washes over you, give it no power. It’s a snake with no venom. Remember that. That knowledge can save you.” And it is with this that Rory digs deep within herself to find the courage that she didn’t know she’d been keeping all along:

“It’s not that I am extremely brave—I think I just forgot myself for a minute. Maybe that’s what bravery is. You forget you’re in trouble when you see someone else in danger. Or maybe there is a limit to how afraid you can get, and I’d hit it.”

Over the course of horrific events, Rory’s courage grows. It’s a brilliant thing to see unfold, and Johnson wrote her well. I think a lot of things borders a little on being too convoluted, but maybe that’s what makes some stories what they are. Maybe that’s why they get written in the first place.

Again, I don’t completely love it, but I’m invested enough to see the series through, at least as far as the second one goes. Carrying on to the end depends on how I feel about that installation, but I’ve got high hopes because it’s an excellent, interesting, and original story; and, it leaves the reader at a point where they have to know what’s going to come next.

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I’m pretty certain that a part of me has outgrown Jeffrey Brown.

I first read “A.E.I.O.U.” which tugged at my heart, all tenderness and hurt and the love that exists in spite of it. I didn’t know Brown had an entire series dedicated to failed relationships, but when I purchased three books in one go—”Unlikely,” “Clumsy,” and “Undeleted Scenes”—I was made aware of that fact.

It’s not that I have ceased to appreciate his work, because I still do. There’s a certain rawness and an intimacy in his retelling of his experiences of the loveliest bonds that eventually turn sour. I have found it hard to empathize with his heartbreak, even though I feel like I am, at times, on the same receiving end of this emotional brutality. Since these stories are told from his perspective, they come off as a very one-dimensional, like you’ve found yourself invited to a very honest and open pity party.

It’s often thoughtful, and it’s deeply, sometimes scarily, personal. It’s brave to put yourself out there, and I think there is merit to his honesty, but the two I’ve read after “A.E.I.O.U.” made his body of work feel like it’s only struck one note. Neither of them left deep impressions on me, like “A.E.I.O.U.” did, and maybe that’s the problem I had with them.

Among the three that I purchased, I’ve only read two, “Clumsy” and “Unlikely,” and I find myself apprehensive about reading the third, “Undeleted Scenes.” Brown’s books are still created with a tone of tenderness but the style and sentiment often makes me feel like I’ve read this story before.

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The Knife of Never Letting Go

My best friend and fellow bookworm, Isa, had been reading this series by Patrick Ness called Chaos Walking and I assumed it was a series of Christian non-fiction, which deterred me from reading it. Mostly because I never finish those, and frankly, I had been in the mood for something that reeks of adventure. I spied her talking to Ching about something that trumps their love for Suzanne Collins’ The Hunger Games—and I know how much both of them love the world of Panem—and my ears suddenly perked up. I bought the first book “The Knife of Never Letting Go” on my Kindle and proceeded to read in spurts, finishing it in about two and a half days.

First of all, it starts out slow and disorienting because the world you’re thrown into is an off-Earth agricultural colony where the protagonist, Todd Hewitt, spoke in a first-person Southern twang. The high hopes I had were immediately squashed, but I carried on because I trust those two girls’ tastes and, as what usually happens with stories, they pick up and you fall in love with them.

I didn’t fall in love with this book, however, though I can say that it’s pretty darned good. The thing you should know about New World is that something called “Noise” exists, and what it basically means is that your private thoughts aren’t safe from any other man, and vice versa. It’s a side-effect of a germ released by the army of Spackles, back when there was a war between them (natives of New World) and the men (settlers), and without giving too much away, it affects women differently.

In a confusing muddle of events (you experience everything through Todd’s unfiltered brain), Todd has to leave his hometown, Prentisstown, to escape to the next settlement, though he never is quite sure why he’s running. Which makes the journey all the more difficult. His adoptive parents, Ben and Cillian, send him off with a talking dog named Manchee and a book his mother kept as a diary beginning on the day he was born, going on until she had died.

It’s a lot to chew, and it was a little discouraging to read sometimes because it felt like I was always kept more in the dark than not. I liked it enough; it was an interesting story, but the constant run-on sentences were distracting, and though it does in fact become action-packed, I don’t know enough of what’s going on until nearly the very end and by then, I’d gone on the same tiring journey as Todd, side-stepping evil, rolling over hills, and trying to block out all the unnecessary noise.

At its core, it seems to be a story of a boy who has a chance to escape what his predetermined history had written for him. What is a measure of a man? What sets him apart from all the other men he has known all his life? How does he act, given the cards that have been laid down before him? Is it possible to fight the very things that we have always thought defined us?

The first book ends with a cliffhanger, and I’m too emotionally involved with the story to stop bothering with it altogether. I do wish it picks up, and I think I can overlook the twists and turns of the Prentisstown tongue, just to be able to get to the end. If they get there, if they find a way. “The Knife of Never Letting Go” leaves the reader in a very awful spot, and all I can think about is how to get myself out of there.

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I’ve had this book for a while but only started (and finished!) reading it this year. I was looking for a quick read, and there this was. Interworld didn’t disappoint, because I finished it in a day. On top of being a quick read, it was engaging and interesting enough.

For a story that deals with multiple dimensions (among other things), though, I found it quite short. Maybe it’s the nerd in me, but I wanted to know a lot about the mechanics of the “interworld” and Gaiman’s and Reaves’ own interpretation of the multiverse.

It was a great read, though. I was hooked on it, but it definitely opened doors for interest in and questions about the characteristics and motivations of the two camps that were after “Walkers,” individuals who harness the power to walk through dimensions, which our hero—Joey Harker—apparently is. It definitely has the potential to be something that has a rich lore and history, and I think that’s the only main disappointment I have with this book; that there wasn’t a deep discussion of the ins and outs of this world they’ve created.

On the whole, it was a great (if tiny) adventure, and I enjoyed being a part of it.

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I first learned of this novel through a tweet by John Green, celebrating the fifth year since its publication. I have a soft spot for YA and I decided to Google Sara Zarr’s “Story of a Girl,” because one of my favorite authors praised it to high heavens and even knew its birthday. When I read the synopsis, I knew I had to check it out. I found it right away and read it quickly. At 192 pages, with a riveting story and an endearing, honest character, it wasn’t really hard to do.

Deanna Lambert wants to skip town and live away from her family. Seems like a typical coming-of-age angst, but the hurt runs much deeper than the average story. See, Deanna Lambert is a sixteen-year-old girl, given a title of “school slut” for having been caught by her father having sex in the backseat of a Buick when she was thirteen. For the next three years, she has been trying (and failing) to come to terms with what she’d done, and to make other people forget about the girl they all thought she was.

We meet Deanna in the summer, where she tries to get a job so she can save up enough money to get out of a damaging home life. She also deals with her self-worth, and thinks of whether or not she deserves better than what she’s getting. “Story of a Girl” tells of how someone so broken and hopeless tries to make sense of things and then tries to move on, even when it seems that no one will let her.

Because of her “past” (if you can call being thirteen that, at sixteen), Deanna has harbored a deep-seated fear that no one will love her the way that she wanted to be loved. There is this fear of nobody choosing her for her, of never seeing her behind the taint of a label that had very flimsy truth to it. Often she talks about declarations, and how nobody ever “declares” her to be theirs:

“What did it feel like, I wondered, to be kissed like that right out in public? Not like some passionate tongue-wrestling thing, just a kiss to declare: We are each other’s. I’ve never been kissed like that, not by Tommy or anyone else. No one had declared me his, not for the world to see, anyway.

And it might sound a little trite, but it’s the little things like this that almost forbids Deanna from moving on: “I should have gotten up, slid into the booth next to her and put my arms around her, hugging her the way she hugged me every time she saw me. [...] I couldn’t be that person, somehow, no matter how much I wanted to. She was inside me; I could see her and picture her, hear her. But who was I to be her? I was Deanna Lambert, eighth-grade slut forever; Tommy’s funny story; my dad’s biggest embarrassment.”

Speaking of being an embarrassment to her father—the narration of the crumbling relationship with her father was one of the most heartbreaking thing I’ve ever read. I can understand his situation; imagine catching your thirteen-year-old daughter having sex with your son’s seventeen-year-old’s best friend in the backseat of the car! I understand the pain and the hurt, yes, but I don’t understand his response to Deanna. The withdrawal and anger that he kept on drawing out, and the resentment that he allowed to consume him. Somewhere in the middle of the story, where her father draws near to her, she felt a pang of pain and missing.

“I got this strong feeling of missing him, like he was someone who I loved who had died and gone away, someone who was mostly a memory. I wanted to grab him and say okay, I was sorry about Tommy, it was a stupid mistake and I knew I’d hurt him and I wish I hadn’t. Because I did love him. I did. [...] That’s what I figured out that day while he yelled at me. That as much as I’d let him down, he’d let me down, too… He was the dad, he was my dad. That’s when I had to make myself stop loving him. I had to stop remembering the way he used to be, the way we used to be, because if I kept thinking about the old dad every time I looked at him, it would never stop hurting.

Though she had a friend in Jason (one she’s had since she was a kid), she knew she never really belonged to him either, because of Lee, a relatively newcomer in their joint lives who also happens to be Jason’s girlfriend. Lee is a good person, which annoys Deanna because she can’t find a fault in her, something to hate her for. Next to Lee, Deanna feels like a mess, a failure, and ultimately, a bad person.

Zarr crafts a story that is admirable, in that there is no “victim”-blaming (she asked for it—not allowed in this story!), and also no excusing the actions of someone younger just because the older person “should have known better.” It is deeply realistic, always with an outpouring of emotions that are all too real—magnified versions of the self-deprecation and worthlessness that we sometimes fall into. Zarr creates a safe environment in Deanna for people who feel this way to be truly honest with themselves, and to confront these feelings and be told that it’s okay to feel that way, but that it will also get better.

“It came down to the smallest things, really, that a person could do to say I’m sorry, to say it’s okay, to say I forgive you. The tiniest of declarations that built, one on top of the other, until there was something solid beneath your feet. And then… and then. Who knew?”

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There are a number of books I wish I had read earlier in life and “The Hobbit” is one such book. Like a lot of people, I was introduced to Tolkien’s world by Peter Jackson’s The Lord of the Rings and have since tried to read the books that started it all. So far, I have finished “The Fellowship of the Ring,” about a third of “The Two Towers,” and fifty pages of “The Silmarillion.” And though I respect Tolkien for the excellent display of creativity and imagination, as well as his word-wieldy ways, in these books, it is in “The Hobbit” that I saw the care he gave his characters and how dear stories and adventures are to his heart.

¹ An introduction to hobbits can be found in the extended edition of The Fellowship of the Ring, which endeared me to them quite unexpectedly.

“The Hobbit” follows one Bilbo Baggins, a respectable hobbit who lives in a nice little hobbit-hole under-hill in the West. As everyone knows, hobbits, including Bilbo, are a peaceful folk¹, who like being left alone with their ale, food, and pipe-weed. One afternoon, Bilbo’s peace and quiet were disturbed by the wise wizard, Gandalf, and a gang of dwarves recruiting him for a treasure hunt.

With the job description of a “burglar,” Bilbo encounters mountain trolls, goblins, a slimy creature called Gollum, a terrifying but extraordinary creature named Beorn, a perfectly forest, as well as a lot of other wonders and misfortunes.

“The Hobbit” is arguably a children’s book, and the writing style is frankly more accessible and easy to read than my other ventures into Tolkien. I think it was written with that intention—to craft an exciting tale instead of just an account of events—and this makes me love it all the more. A friend and Tolkien-fan, Ching, said that this was the Tolkien work that had the most heart, and although quite new to everything, I would have to agree.

² A chapter I particularly enjoyed was the fifth called, “Riddles in the Dark,” which was full of suspense and was evidence of Tolkien’s excellence as a wordsmith.

It was an absolute page-turner² and a dream to read. Bilbo and his band of dwarves (Thorin Oakenshield, Balin, Dwalin, Bofur, Gloin, Fili, Kili, Dori, Nori, Ori, Oin, Bifur, and Bombur) went out one mishap into another and each time they emerged to be a little wiser and stronger and braver. It was clearly Bilbo’s story though, and it was such a joy to see him change and evolve into someone not quite so “hobbit-y”—for hobbits are generally predictable—but someone a million times better.

The thing of it is, is that “The Hobbit” is a tale for bravery, even in the face of dark times, even if you are so very small that people forget to respect you. Throughout this adventure, Bilbo is constantly underestimated, because of his size, until, of course he learned how to prove everybody—including himself—wrong.

“‘Well done! Mr. Baggins!’ he said, clapping Bilbo on the back. ‘There is always more about you than anyone expects!’ It was Gandalf.”

“The Elvenking looked at Bilbo with a new wonder. ‘Bilbo Baggins!’ he said. ‘You are more worthy to wear the armour of elf-princes than many that have looked more comely in it.’”

And I felt my heart swell every time the big folk look at the hobbit with a twinkle in their eyes and a surprise coating their tongue, because they see Bilbo for what he truly is: a brave soul that endured so much, despite his lack of inclination for adventurous things, and despite being so small. A favorite passage: “Gandalf looked at him. ‘My dear Bilbo!’ he said. ‘Something is the matter with you! You are not the hobbit that you were.’”

And when it all wound down to an ending, I found myself crying because the adventure had to end, and I had to leave Bilbo and all the others. It was a weird experience for me, as I had not felt so moved by a book, at least close to tears, in such a long time.

It was certainly a long and tiring journey, but one that I would take again, if I had somebody like Bilbo Baggins to take it with.

Passages I would like to remember:

  • “There is nothing like looking, if you want to find something (or so Thorin said to the young dwarves). You certainly usually find something, if you look, but it is not always quite the something you were after.”
  • “Then the hobbit slipped on his ring, and warned by the echoes to take more than hobbit’s care to make no sound, he crept noiselessly down, down, down into the dark. He was trembling with fear, but his little face was set and grim. Already he was a very different hobbit from the one that had run out without a pocket-handkerchief from Bag-End long ago.”
  • “It was at this point that Bilbo stopped. Going on from there was the bravest thing he ever did. The tremendous things that happened afterwards were as nothing compared to it. He fought the real battle in the tunnel alone, before he ever saw the vast danger that lay in wait.”
  • “‘Never laught at live dragons, Bilbo you fool!’” he said to himself, and it became a favorite saying of his later, and passed into a proverb. “You aren’t nearly through this adventure yet.”
I read this book on my new Kindle, which I will review one of these days. Some of the passages, I have saved on it and decided against posting. I love it, too, because it can display images such as these runes, and this rather beautiful illustration of Bilbo’s encounter with the trolls.

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I loved Rick Riordan’s Percy Jackson series and I was so sad when the final book “The Last Olympian” was released. Did that mean that it was goodbye to Percy Jackson and the demigod world forever? But what exactly can you do when you’ve exhausted this half-blood’s story line after five books?

The logical answer is to look for other cultures with a rich mythological background to build on. I stayed away from his other series that dealt with Egyptian mythology since it was so far from the series that I have come to love. (A friend said it was not very good.) I also did not read this new venture, Heroes of Olympus, until after I caught wind of “Percy Jackson” uttered from my friends’ Twitter feeds shortly after “The Son of Neptune” came out. I had borrowed “The Lost Hero” from my girlfriend’s brother and sped-read it so I could get finally get to meet Percy Jackson again.

¹ An overhaul in the sense that it adds another layer of complexity to the already rich story, not in the sense that it negates everything that happened before.

This is one series that did not disappoint. As much as I loved Camp Half-Blood, it wore on me. What has resulted is an amalgamation of two related mythoi—the Greek and the Roman—and such a large sideways-overhaul¹ of everything that have transpired in the last five books. In the first book of the series, “The Lost Hero,” we meet Jason, who is surrounded by a girlfriend named Piper and someone who claims to be his best friend, Leo. The thing is, he has no recollection or memory of ever meeting them. He doesn’t even know who he is. Their main mission is to free a goddess, and while their motivations might be different (Jason just wants his memories back), everyone sees it through.

There is trouble stirring between the world of gods and the world of men, and somehow it is up to Jason and his friends to help stop this tragedy, without his memories. As with stories that deal with memory loss and forgetting, it is a very thrilling adventure, when you start uncovering little parts of the story as you read along. Sometimes, you even get to guess the outcome and turn of events. The purpose of this memory loss gets pretty thinly veiled as you read, but it makes everything else no less exciting.

The next book, “The Son of Neptune,” is equally exciting because the amnesiac in question is the one and only Percy Jackson. Here, we are introduced to two new main characters, Frank and Hazel, who are both on the same quest as Percy. They are on a mission to retrieve and free something up to the most Northern part of the world—a place where gods are supposedly powerless.

Essentially, The Heroes of Olympus is a story that explores a prophecy about seven demigods destined to defeat a terrible force. I like it because Riordan found a way to freshen up the world of Percy Jackson just by adding what was already there, adding the complexity and depth of our existing mythological history—at least, in the Greek and Roman arenas. He injects a lot of historical aspects in the story, which really drew me in.

Also, Camp Jupiter is really something else. I really can’t wait for the next installment, which involves Annabeth. It’s called “The Mark of Athena,” however we will be in for a long wait as it comes out Fall 2012.

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Alexandra Trese is a detective with supernatural powers and inclinations, and the police chief runs to her when he needs help solving strange cases. (Kind of like Batman and Commissioner Gordon, I guess?) Volume 1 includes four stories: “At the Intersection of Balete and 13th Street,” “Rules of the Race,” “The Tragic Case of Dr. Burgos,” and “Our Secret Constellation.”

My favorite ones are “At the Intersection…” and “The Tragic Case.” I admire the inclusion of traditional Filipino folklore in these mysteries, as I am, truthfully, sick and tired of hearing about vampires. The

The art was made by Kajo Baldisimo, and it is at times inspired and dynamic. I would love to see this in full color, although I know that would be a long shot.

Trese was a very entertaining and quick read. For a four-story volume, it’s pretty slim. (It is actually available in its entirety over here.)

¹ One reason why Buffy the Vampire Slayer is my favorite series is narrative complexity, and multi-arc seasons. While Buffy deals with a different problem each episode, there is always something bigger that is revealed at the end of the season.

One of my main nitpicks with Trese is that it’s a story that’s divided by case, meaning, there isn’t really an overarching narrative.¹ It’s a Monster of the Week, Encyclopedia Brown kind of deal. However, it’s an intentional, conscious decision on the part of Budjette Tan (as he states in the afterword), to make it easier for new readers to jump in at any time. The reason why I like narrative complexity is because it adds a certain depth, texture, and richness to a story, because of all the layers that are added on top of each other. I think that would have allowed me to empathize more with Trese’s character.

What I also liked was that the main character and ultimate icon of badassery is a woman. The character of Trese was originally planned to be a man, but it was later changed to Alexandra, our heroine. I don’t know a lot about her, aside from she’s really good at what she does, and she commands respect from both man and monster. I would love to see a bit more than a peek into her character.

Ultimately, Trese was a great idea and a great premise, but it just didn’t stand out as much as I thought it would, for me. I’m hoping that the later installments will do the trick. I read this on high recommendations from just about everybody, and although it wasn’t at all terrible, there seemed to be something missing from it that made me want to care about Alexandra’s life.

Trese is available at National Book Store and Fully Booked branches.
Format: Black & White, 104 pages
Cover price: Php 140.00

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I don’t know if it’s laziness or just me being busy and productive (I’m hoping it’s the latter), but I haven’t really read much this year. For October, I seemingly gravitated to thick, illustrated volumes, namely Sanjay Patel’s “Ramayana: Divine Loophole” and Craig Thompson’s new release, “Habibi.”

I liked Sanjay Patel’s rendition of “Ramayana.” After reading the notes, it was astonishing to me that the entire endeavor took about five or so years! The Ramayana translation he got ahold of was over 3,000 pages long and took about a year to read. On top of condensing the text, he also laid out his book, as well as the illustrations. Then, he’s off to do line work and sketches on paper, and then rendering on the computer.

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